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Gustavo Castilla Photography
Exhibitions :
Shanghai Library :
The Classic Moments: Invitation Exhibition of American
West Photography
2008

ƒ295 Symposium April 2007Pittsburg Pennsylvania

Viva Gallery 2005 Sherman Oaks California

Canessa Gallery San Francisco California

Lincoln Avenue. photo show  Santa Fe New Mexico 2004

Laguna Art Museum 2003 Laguna Beach California
2007 Honorable Mention at the international Photography awards
-IPA
Gustavo Castilla Golde toned Albumen Print
Title: Expecting
 
Why large format? I find that the large format allows me to
concentrate on the subject and composition while maintaining in
contact with the model (sitter) I get a richer and more detail
negative and as part of using the large format camera .
I am able to print my negatives using alternative printing
processes (1800's chemistry) such as Palladium , Platinum
or the other processes used 150 years ago.

I must make it clear that the reason for my printing methods
is not a gadget or fad but rather the Idea that each Image is
unique each sitter is unique and there fore I must find
the correct method to express the sitters emotion ,
uniqueness and identity as much as my own .
Gustavo Castilla Cyanotype Print

Equipment and Processes:
I capture my images using numerous view large-format cameras,
including 5"X7",8" x 10" and 11”x14” Some of these cameras were
hand-made a hundred year ago.
I prefer natural light, both in still life and in portrait. 
After an image is capture on film, it is hand processed through a
series of intricate steps using light sensitive compounds of Platinum and Palladium.
The chemical is spread onto the photography papers exposed to a
UV light source.  Different papers, developers, developer
temperatures, and other toners allow the artist to make images
ranging from steely greys to warm sepias, producing a great range
of expressive qualities.
Because of the number of variables involved, such as changes of
humidity, age of the chemical and paper batches, no two prints are
ever the same”.


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